By Rebecca Hahn

A beautiful debut novel a few woman who's part dragon, part human, and utterly herself.

As the single inheritor to the throne, Marni must have been surrounded via wealth and privilege, no longer dwelling in exile-but now the time has come whilst she needs to make a choice from claiming her birthright as princess of a realm whose king wishes her useless, and lifestyles with the daddy she hasn't ever recognized: a wild dragon who's sending his magical woods to trap her.

Fans of Bitterblue and Seraphina could be captured by way of A Creature of Moonlight, with its richly layered storytelling and the strong offerings its powerful heroine needs to make.

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Additional info for A Creature of Moonlight

Sample text

I initially thought that I would use spellcraft to help make things happen for me. In reality I have found that simply asking the Universe to provide for the greater good of us all actually does the job much more effectively. Each day I am 34 When magickal things begin to happen thankful for the special moments both within and without the Circle that has become such a major factor in my life. I, too, am learning to see the Divine in myself as well as in everything else. One by one, the principle ritualists drink from the cup she bears, including myself, and then I am sent to gather others to receive her blessing.

It took me a week to summon enough courage to broach the subject with him. Although he was a high-school science teacher and a good one by my estimation, he was also a Christian Brother. They were like a separate breed, knowledgeable but unapproachable. ’ I wasn’t sure whether he was speaking as a scientist or as a Christian, but either way I was devastated that he had no answers. The subject was never again raised at school. This led me to my second choice, which proved much more productive. I turned to books.

41 Practising the Witch’s Craft We mark this round and cast this rune Upon this night in the sight of the moon Our bare feet mark this Witches’ round And thus it becomes hallowed ground (Tim Hartridge, from the rite Lumen in Tenebrae) The coven membership had expanded and with it our need for a more dedicated space. We rented a large old house in an inner suburb of Adelaide. It was perfect for our needs and, not surprisingly, had a witchy number—thirteen. We painted the whole house; the ritual room standing in stark contrast to the rest of the rooms with its deep indigo-blue walls and stained red cedar floorboards with the Witches’ circle painted on them.

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