By Paul Elsam
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Additional resources for Acting Characters: 16 Simple Steps From Rehearsal to Performance
G. g. g. cancelling the entertainers). As an actor preparing to play Natasha, you have reason to think of her as quite a neurotic person: perhaps a little more extrovert than introvert, but neurotic nonetheless. Such an analysis of a character’s personality can be a warning to you. If you play her simply as a neurotic ‘type’, you run the risk of being predictable. So look too for the warmth and stability in her, even if it is only somewhere in the background. Tool No. 2: Setting the Status It’s fun to play on the seesaw – usually “ Walk into a dressing room and say ‘I got the part’ and everyone will congratulate you, but will feel lowered.
To LADY MARY) There must always be a master and servants in all civilised communities, my lady, for it is natural, and whatever is natural is right. Act Two begins following the shipwreck, as the truth of Crichton’s belief is put to the test. Ernest, selected friends and servants struggle to adapt to desert-island living. Crichton’s resourcefulness and energy quickly bring him status and authority as he sets about building a home for the party; Ernest sits uselessly on an upturned bucket and composes verse.
CRICHTON (confidently, but perhaps thoughtlessly) No work – no dinner – will make a great change in Mr. Ernest. LADY MARY No work – no dinner. When did you invent that rule, Crichton? CRICHTON (loaded with bamboo) I didn’t invent it, my lady. I seem to see it growing all over the island ... Act Three – entitled ‘The Happy Home’ – brings us up to date with events of the previous two years, which have seen Crichton emerge as the unchallenged leader of the group, a man who has built a home bursting with desert-island luxuries.