By J. Douglas Clayton, Yana Meerzon

This ebook considers the hundred years of re-writes of Anton Chekhov’s paintings, offering a large geographical panorama of Chekhovian affects in drama. the amount examines the elusive caliber of Chekhov’s dramatic universe as an difficult mechanism, an engine during which his enigmatic characters exist because the dramatic and mental ciphers we've got been de-coding for a century, and proceed to do so. Examining the perform and the idea of dramatic edition either as intermedial transformation (from web page to level) and as intramedial mutation, from web page to web page, the book provides version because the rising style of drama, theatre, and picture. This pattern marks the performative and social practices of the hot millennium, highlighting our epoch’s have to have interaction with the historical past of dramatic varieties and their evolution. the gathering demonstrates that version because the perform of transformation and as a re-thinking of routine dramatic norms and style definitions results in the rejuvenation of current dramatic and performative criteria, pioneering the production of latest traditions and expectancies. because the significant mode of the storytelling mind's eye, edition can construct upon and force the audience’s horizons of expectancies in theatre aesthetics. for this reason, this quantity investigates the unique and transformative wisdom that the tale of Chekhov’s drama in mutations deals to students of drama and function, to scholars of recent literatures and cultures, and to theatre practitioners worldwide.


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Trans. Harry Zohn. Ed. Hannah Arendt. New York: Harcourt, Brace and World, 1968. 69–82. Print. An “emended” version of the Zohn translation appears in Walter Benjamin, 12 J. Douglas Clayton and Yana Meerzon Walter Benjamin: Selected Writings, 1: 1913–1926. Ed. Marcus Bulbock and Michael W. Jennings. Cambridge: Harvard UP, 1996. 253–263. Print. Carnicke, Sharon. ” Chekhov the Immigrant. Translating a Cultural Icon. Ed. Michael C. Finke and Julie de Sherbinin. Bloomington: Slavica, 2007. 89–100. Print.

Web. 9 Dec. 2011. Papernyi, Zinovii. ” Critical Essays on Anton Chekhov. Ed. Thomas A. Eekman. Boston: G. K. Hall, 1989. 160–69. Print. Pitcher, Harvey. The Chekhov Play: A New Interpretation. London: Chatto and Windus, 1973. Print. Polotskaia, Emma. “Vishnevyi sad”: Zhizn’ vo vremeni. Moscow: Nauka, 2003. Print. Rayfield, Donald. Anton Chekhov: A Life. New York: Henry Holt, 1998. Print. Understanding Chekhov: A Critical Study of Chekhov’s Prose and Drama. Madison: U of Wisconsin P, 1999. Print.

Print. Levý, Jiři. ” Semiotics of Art. Ed. Ladislav Matejka and Irwin Titunik. Cambridge: MIT, 1977. 218–27. Print. Mukařovský, Jan. ” The Word and Verbal Art. Selected Essays by Jan Mukařovský. Trans. and ed. John Burbank and Peter Steiner; foreword by Rene Wellek. New Haven: Yale UP, 1977. 161–80. Print. Pavis, Patrice. La Cerisaie. Paris: Le Livre de Poche, 1988. Print. La Mouette. Paris: Le Livre de Poche, 1985. Print. Oncle Vania. Paris: Le Livre de Poche, 1986. Print. ” Theatre at the Crossroads of Culture.

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